Tuesday, August 30, 2011

Jonathan And His Many Women


By Tunde Ogunesan, Nigerian Tribune

President Goodluck Jonathan has made good his promise by giving 32 per cent slot in his cabinet to women. Tunde Ogunesan examines the qualities of the women in Jonathan's cabinet.

"I promised women a 35 per cent slot in my cabinet and I fulfilled that vow, because it is my desire to ensure a level playing field in Nigeria by heading an administration where ethnicity, gender and religion do not hinder qualified persons from fulfilling their potential. It is also the reason I ordered the admission of women to the Nigerian Defence Academy (NDA) a first in Nigeria. Women should brace up to be all they want to be in life as this administration will be an enabler of your progress.”

Those were the words of President Goodluck Ebele Jonathan on his Facebook wall, announcing to his over 25,202,873 friends of his loyalty to the female folk. The president reaffirmed his support and love for the Nigerian women by making two firsts as regards the female folk in Nigeria. The first; he became the first Nigerian president ever to give such percentage to women in his cabinet as far as federal appoi-ntment is concerned. Secondly, as revealed on the social network page, he, for the first time in the 52 years history of the Nigerian Defence Academy (NDA) “ordered the admission of women” into the military school. Demonstrating his love and desire to work with more women, President Jonathan, appointed 13 female ministers as members of his cabinet more than any of his predecessors, cutting across the geo-political zones of the country.

Jonathan’s vow of increasing the percentage of women in his cabinet might not be unconnected with the resolution from the 1995 conference in Beijing, when women agreed that despite their widespread movement towards democratisation in most countries, women are largely under-represented at most levels of government, especially in ministerial and other executive bodies, and have made little progress in attaining political power in legislative bodies or in achieving the target endorsed by the economic and social council of having 30 per cent women in positions at decision-making levels by 1995.

With the Women for Change Initiative campaign championed by his wife, Patience, Jonathan even went beyond the 30 per cent Beijing recommendation to appoint 13 women out of 41 ministers as ministers of the Federal Republic of Nigeria.

They are: Hajia Zainab Maina;Minister for Women Affairs, Adamawa State; Mrs. Stella Oduah-Ogiemwonyi- Honourable Minister of Aviation, Anambra State; Mrs. Diezani Alison-Madueke; Minister for Petroleum, Bayelsa State, Hajia Zainab Ibrahim Kuchi, Minister of State for Ministry of Niger Delta Affairs, Niger State; Prof. (Mrs) Viola Onwuliri, Minister of State for Foreign Affairs, Imo State, Prof (Mrs) Ruqayyatu Rufai, Minister of Education, Jigawa State; Erelu Olusola Obada; Minister of State, Defence, Osun State, Chief Olajumoke Akinjide; Minister of State for FCT, Oyo State.

Others are: Mrs Ngozi Okonjo-Iweala, Minister for Finance, Abia State; Mrs. Hadiza Ibrahim Mailafa; Minister of Environment, Mrs Omobola Johnson Olubusola; Minister, Communication Technology, Mrs Sarah Reng Ochekpe, Minister, Water Resources and Ms. Ama Pepple; Minister, Lands and Housing.

Women’s political profile in Nigeria began to rise from 1960 when Mrs. Wuraola Esan from Western Nigeria became the first female member of the Federal Parliament to 1961 when Chief (Mrs) Margaret Ekpo won elections in Aba Urban North constituency under the National Council of Nigerian Citizens (NCNC) platform to become a member of the Eastern Nigeria House of Assembly and in 1966 as Mrs. Janet N. Mokelu and Miss Ekpo A. Young also contested elections, won and became members of the Eastern House of Assembly.

But it was not until 1980 when Chief (Mrs) Janet Akinrinade was appointed as Minister for Internal Affairs and Mrs Adenike Ebun Oyagbola as Minister for National Planning that women joined the Federal Executive Council. In 1983, few numbers of women were appointed commissioners in states. In 1983, Ms Franca Afegbua became the only woman to be elected into the Senate. Since then, women have not looked back, heading strong ministries like information, finance, petroleum and resources, education, aviation and performing excellently well in such areas. Globally, the campaign for more women participation in administration, gender equality first started at the famous Beijing conference in 1995. Nigeria’s former First Lady, Mrs Maryam Abacha led other prominent professional and political members of feminine class to the conference, which aftermath began the call for more women recognition for political consideration.

However, the 13 female ministers were appointed on merit.

In the case of the minister of Petroleum Resources, Mrs. Diezani Alison – Madueke, she fought many battles to return to the cabinet and the ministry which she had earlier held before the last April polls despite coming from the president’s home state, Bayelsa. Also, Olajumoke Akinjide, from Oyo state who was appointed as minister of state for FCT while two professors were appointed, Viola Onwuliri (Imo) – Minister of State for Foreign Affairs and Ruqayyatu Rufai (Jigawa) – Minister of Education; while he made sure that he made a woman, Mrs. Omobola Johnson Olubusola the country’s first minister of Communication Technology.

Olubusola, until her appointment was the Managing Director of Accenture, Nigeria, the first woman to hold the position in the country. She holds a bachelor's degree in Electrical and Electronic Engineering from the University of Manchester, and also has a master’s degree in Digital Electronics from King's College, London. She joined Accenture, then Andersen Consulting in 1985.

These are the women who the president in his bid to take crucial decisions towards the achievement of Nigeria’s vision 20: 2020.

Interestingly, none of these women has ever given the President any headache over their appointments over their pasts or otherwise. Though, Mrs. Diezani Alison – Madueke, minister of petroleum resources almost went on house-to-house campaign against her detractors over the president’s intention of retaining her for the plum petroleum position, the former Shell top shot, against all odds retained her post not for anything but her sheer professionalism.

Despite his promise of 35 per cent slot for women, President Jonathan, himself a Ph.D. degree holder in Zoology from the University of Port Harcourt, ensured his push for more women participation was not based on just numbers. His team of women are made up of tested technicrats; two professors, a lawyer, a World Bank finance expert, astute administrators, educationists, ICT expert and other professionals who have made laudable impact and achievements in their various professional callings.

Friday, August 19, 2011

The Africa State, Genocide and the Exigency of AFRICOM


(Paper presented on the panel “US Africa Command and South Atlantic Security”, V ENABED, Fifth national conference of the Brazilian Association of Defence Studies, Seara Praia Hotel, Fortaleza, Brazil, Monday 8 August 2011*)

Herbert Ekwe-Ekwe

The state in Africa demonstrates a glaring inability to fulfill its basic role to provide security, welfare and trans-formative capacities for society’s developmental needs and aspirations. The state is virtually at war with its peoples, having murdered 15 million in Biafra, Rwanda, Darfur, southern Sudan, Uganda, Guinea-Bissau, the Congos, Angola, Côte d’Ivoire and elsewhere on the continent between 1966 and 2011. Since January 1956, fifty-five years after the beginning of the so-called restoration of African independence process in the Sudan, it is the case that the state in Africa is essentially a genocide-state, the bane of African social existence. It is what constitutes the firestorm of the emergency that threatens the very survival of the African. It is not the “debt”, “poverty”, HIV/Aids/other diseases and the myriad of socioeconomics indices often reeled off in many a commentary.

This state, which the European conqueror-regime (Britain, France, Portugal, Germany, Belgium, Spain) created originally in Berlin in the 1880s, cannot lead Africans to the reconstructive change they deeply yearn for after the tragic history of centuries of foreign occupation and plunder. Such a change was and never is the mission of this state but an instrument to murder, expropriate and despoil Africa by the conquest and its aftermath. As this paper demonstrates, the very presumptions, predilections and exigencies that encapsulate the thinking and strategic goals of the planners of the United States Africa Command, AFRICOM, the subject of this panel at the August 2011 conference of the Brazilian Association of Defence Studies, here in Fortaleza, are based precisely on this evaluation of the utterly unviable ethos of the contemporary Africa state and the palpable, widespread feeling of alienation towards it expressed by most constituent African peoples or nations. In other words, AFRICOM wishes to exploit the critically unresolved seismic crisis within the African political landscape created by the history and devastating consequences of conquest.

Tragically, this is equally the background against which an array of foreign powers and international/transnational institutions or organisations have often acted, with impunity, in African socioeconomic and political affairs and development in the past 55 years, despite this epoch of presumed restoration of African independence and sovereignty. The ongoing flagrant Anglo-Franco-US-led NATO unrelenting aerial and naval bombardment of Libya, which has gone on for four months, and the French-led violent military overthrow of the government of Cote d’Ivoire earlier on in the year, during which an estimated number of 2300 Africans were so ruthlessly murdered, underscore this staggering impunity. Africans, themselves, must therefore resolve the contentious issues generated by the extant genocide-state that fuels the conflictual existence of its peoples before achieving urgently needed socioeconomic transformation. This is an imperative, internal political question, whose answer or solution is also imperatively internal – definitely not external, howsoever the “rationalisation” is construed. Thus, Africans’ own strategic goal for change remains the dismantling of the architecture of alienation and subjugation posed to African existence and progress by the “Berlin state” emplaced. There is no more profoundly urgent case to illustrate this grave emergency in Africa than to focus on the very country from where it first originated. This country goes by the name Nigeria and it is to it that we should now turn.

Igbo genocide and its aftermath – The tragedy of Africa’s unlearned lessons:

In 1966, soon after the world commemorated the 21st anniversary of the liberation of Auschwitz and made the customary, solemn declaration of “Never, Never Again”, Nigeria defiled that season of reflection, commiseration and hope. Its military officers, the police, Hausa-Fulani emirs, muslim clerics and intellectuals, civil servants, journalists, politicians and other public figures planned and executed the Igbo genocide – the foundational genocide of post-(European)conquest Africa. This is also Africa’s most devastating genocide of the 20th century. A total of 3.1 million Igbo people, a quarter of this nation’s population at the time, were murdered between 29 May 1966 and 12 January 1970.

Most of Africa and the world stood by and watched, hardly critical or condemnatory of this wanton destruction of human lives, raping, sacking and plundering of towns, villages, community after community in Biafra and elsewhere... Most Igbo people were slaughtered in their homes, offices, businesses, schools, colleges, hospitals, markets, churches, shrines, farmlands, factories/industrial enterprises, children’s playground, town halls, refugee centres, cars, lorries, and at bus stations, railway stations, airports and on buses, trains and planes and on foot, or starved to death – the openly propagated regime-“weapon” to achieve its heinous goal more speedily. In the end, the Igbo genocide was enforced, devastatingly, by Nigeria’s simultaneously pursued land, aerial and naval blockade and bombardment of Igboland, Africa’s highest population density region outside the Nile Delta. Earlier on in 1945 and 1953, under the very watch of the British occupation, the Hausa-Fulani political leadership had carried out two premeditated pogroms on Igbo immigrant populations in Jos and Kano, cities in north Nigeria, in opposition to the Igbo vanguard role in the struggle for the restoration of the independence of peoples in Nigeria from the British conquest. Hundreds of Igbo were murdered in each occasion and tens of thousands of pounds sterling worth of their property looted or destroyed. Neither in Kano nor Jos did the occupation regime apprehend or prosecute anyone for these massacres and destruction. Tragically, these pogroms turned out as “dress rehearsals” for the 1966-1970 genocide.

The perpetrators, who subsequently seized and pillaged the rich Nigeria economy appear to have got off free from any forms of sanctions from Africa (and the world) for what are, unquestionably, crimes against humanity. The consequences for Africa have been catastrophic. Several regimes elsewhere in Africa are “convinced” of the conclusions that they have drawn from this crime by their Nigerian counterpart: “We can murder targeted constituent people(s) at will within the state we control … Haul off their prized property and livelihood … Comprehensively destroy their cities, towns, villages, communities – precisely their agelong, priceless, inheritance ... There will be no sanctions from Africa – and the world”. As a result, the Igbo genocide becomes the clearing site for the haunting killing fields that would snake across the African geographical landscape in the subsequent 40 years with the murders of additional 12 million Africans, since January 1970, by regimes in further genocide in Rwanda, Darfur and Zaïre/Democratic Republic of Congo and other killings in Liberia, Ethiopia, Congo Republic, Somalia, Uganda, Sierra Leone, Guinea, Guinea-Bissau, Côte d’Ivoire, Chad, south Sudan, Burundi.

Yaki, it isn’t

The records of those who carried out the Igbo genocide make no pretences, offer no excuses, whatsoever, about the goal of their dreadful mission – such was the maniacal insouciance and rabid Igbophobia that propelled this project. The principal language used in the prosecution of the genocide was Hausa. The words of the ghoulish anthem of the genocide, published and broadcast on Kaduna radio and television throughout the duration of the crime, are in Hausa:

Mu je mu kashe nyamiri

Mu kashe maza su da yan maza su

Mu chi mata su da yan mata su

Mu kwashe kaya su

(English translation: Let’s go kill the damned Igbo/Kill off their men and boys/Rape their wives and daughters/Cart off their property)

The Hausa word for war is yaki. Whilst Hausa speakers would employ this word to refer to the involvement/combat services of their grandfathers, fathers, uncles, sons, brothers, other relatives/friends in “Boma” (reference to World War II Burma [contemporary Myanmar] military campaigns/others in southeast Asia, fighting for the British against the Japanese) or even in the post-1960s Africa-based “peace-keeping” military engagements in west, east and central Africa, they rarely use yaki to describe the May 1966-January 1970 mass murders of Igbo people. In Hausaspeak, the latter is either referred to as lokochi mu kashe nyamiri (English: “when we murdered the damned Igbo”) or lokochi muna kashe nyamiri (English: “when we were murdering the damned Igbo”). Pointedly, this lokochi (when, time) conflates the timeframes that encapsulate the two phases of the genocide (May 1966-October 1966 and July 1967-January 1970), a reminder, if one is required, for those who bizarrely, if not mischievously, wish to break this organic link.

Elsewhere, genocidist documentation on this crime is equally malevolent and brazenly vulgar. A study of the genocide-time/“post”-genocide era interviews, comments, broadcasts and writings on the campaign by key genocidist commanders, commandants and “theorists” and propagandists including particularly Yakubu Danjuma, Ibrahim Haruna, Yakubu Gowon, Benjamin Adekunle, Olusegun Obasanjo, Oluwole Rotimi, Obafemi Awolowo, Allison Ayida and Anthony Enaharo is at once revealing and profoundly troubling. Adekunle, a notoriously gruesome commander, had no qualms, indeed, in boasting about the goal of this horrendous mission when he told an August 1968 press conference, attended by journalists including those from the international media: “We shoot at everything that moves, and when our forces march into the centre of I[g]bo territory, we shoot at everything, even at things that do not move”. True to type, Adekunle duly carried through his threat with clinical precision both on his “everything that moves”-targeting, especially in south Igboland where his forces slaughtered hundreds of thousands, and on the “things that do not move”-assault category. Adekunle’s gratuitous destruction of the famed Igbo economic infrastructure, one of the most advanced in Africa of the era, was indescribably barbaric. A brief review of Olusegun Obasanjo’s own contribution (published in his memoirs, pointedly captioned My Command) that focuses on his May 1969 direct orders to his air force to destroy an international Red Cross aircraft carrying relief supplies to the encircled and blockaded Igbo is crucially appropriate. Obasanjo had “challenged”, to quote his words, Captain Gbadomosi King (genocidist air force pilot), who he had known since 1966, to “produce results” in stopping further international relief flight deliveries to the Igbo. Within a week of his infamous challenge, 5 June 1969, Obasanjo recalls nostalgically, Gbadomosi King “redeemed his promise”. Gbadomosi King had shot down a clearly marked, incoming relief-bearing International Committee of the Red Cross DC-7 plane near Eket, south Biafra, with the loss of its 3-person crew. Obasanjo’s perverse satisfaction over the aftermath of this horrendous crime is fiendish, chillingly revolting. He writes: “The effect of [this] singular achievement of the Air Force especially on 3 Marine Commando Division [the notorious unit Obasanjo, who later becomes Nigeria’s head of regime for 11 years, commanded] was profound. It raised morale of all service personnel, especially of the Air Force detachment concerned and the troops they supported in [my] 3 Marine Commando Division”. Yet despite the huffing and puffing, the raving commanding brute is essentially a coward who lacks the courage to face up to a world totally outraged by his gruesome crime. Instead, Obasanjo, the quintessential Caliban, cringes into a stupor and beacons to his Prospero, British Prime Minister Harold Wilson (as he, Obansanjo, indeed unashamedly acknowledges in his My Command), to “sort out” the raging international outcry generated by the destruction of the ICRC plane...

What “internal affair”? Whose “internal affair”?

There was an extensive coverage of the Igbo genocide in the international media throughout its duration. The United Nations though never condemned this atrocity unequivocally. U Thant, its secretary-general, consistently maintained that it was a “Nigerian internal affair”. The United Nations could have stopped this genocide; the United Nations should have stopped this genocide instead of protecting the interests of the Nigeria state, the very perpetrator of the crime. In the wake of the Jewish genocide of the 1930s-1940s during which 6 million Jews were murdered by Nazi Germany, Africa was, with hindsight, most cruelly unlucky to have been the “testing ground” for the presumed global community’s resolve to fight genocide subsequently, particularly after the 1948 historic United Nations declaration on this crime against humanity. Only a few would have failed to note that U Thant’s reference to “internal” was staggeringly disingenuous as genocide, as was demonstrated devastatingly 20-30 years earlier on in Europe, would of course occur within some territoriality (“internal”) where the perpetrator exercises a permanent or limited or partial or temporary sociopolitical control (cf. Nazi Germany and its programme to destroy its Jewish population within Germany itself; Nazi Germany and its programme to destroy Jewish populations within those countries in Europe under its occupation from 1939 and 1945). Between 1966 and 2006, the world would witness genocide carried out against the Igbo, the Tutsi/some Hutu, and Darfuri in “internal” spaces that go by the names Nigeria, Rwanda, and the Sudan respectively. The contours of the territory where genocide is executed do not therefore make the perpetrators less culpable nor the crime permissible as the United Nations’s crucial 1948 genocide declaration states unambiguously.

The very central role played by Britain in support of the Igbo genocide no doubt reinforced the scandalous failure of the United Nations to protect Igbo people during this catastrophe. Britain, a fully-fledged member of the United Nations – indeed a founding member of the organisation who enjoys a permanent seat on its security council and participated in drafting the anti-genocide declaration – supported the Igbo genocide militarily, politically and diplomatically. It is extraordinary that in his otherwise informative study, Crimes Against Humanity: The Struggle for Global Justice (London: Penguin Books, 2006), Geoffrey Robertson, a British human rights lawyer, a queen’s counsel, does not discuss the Igbo genocide anywhere in his 759-page text nor Britain’s instrumental role in perpetrating this foundational genocide of post-(European)conquest Africa.

Britain was deeply riled by the Igbo lead-role in terminating its occupation of Nigeria and had since sought to “punish” them for this. A senior British foreign office official was adamant that his government’s position on international relief supply effort to the encircled and bombarded Igbo was to “show conspicuous zeal in relief while in fact letting the little buggers starve out”. Indeed as the slaughtering of the Igbo progressively worsened, Prime Minister Wilson was unashamedly unfazed when he informed Clyde Ferguson (United States State Department special coordinator for relief to Biafra) that he, Harold Wilson, “would accept a half million dead Biafrans if that was what it took” Nigeria to destroy the Igbo resistance to the genocide. Such was the grotesquely expressed diminution of African life made by a supposedly leading politician of the world of the 1960s – barely 20 years after the deplorable perpetration of the Jewish genocide. As the final tally of its murder of the Igbo demonstrates, Nigeria probably had the perverted satisfaction of having performed far in excess of Harold Wilson’s grim target… Predictably, it was to Wilson that the Nigerians turned to, in 1969, to “sort out” the international revulsion generated by the latter’s destruction of the ICRC aircraft as we have already stated.

Arms ban

Without British active involvement in the perpetration of the Igbo genocide, it was highly unlikely that this crime would have been committed. Nigeria did not have an arms-manufacturing capacity then to embark on this terror without external support. Forty-five years on, Nigeria still does not have such an internal military capability. It still relies heavily on Britain, currently the world’s leading arms exporter to Africa, for its supplies.

One immediate move that Britain, the West, and the rest of the world, including Brazil, particularly, can make to support the ongoing efforts by peoples in Nigeria and elsewhere in Africa to rid themselves of the genocide-state is to ban all arms sales to Nigeria and the rest of Africa. This ban must be total and comprehensive. Nigeria and other Africa genocide-states require the political and diplomatic support from abroad and the deadly array of arms ever streaming into their arsenal from Britain and elsewhere to exist and terrorise the people(s) in their territories. This is part of the cardinal and enduring lessons of the Igbo genocide. The legacy has, in fact, been catastrophic and feeds into the overarching strategic permutations of AFRICOM which the latter, in turn, exploits.

A total and comprehensive arms ban on Africa will radically advance the current hectic quest on the ground by peoples across the continent to construct democratic and extensively decentralised new state forms that guarantee and safeguard human rights, equality and freedom for individuals and peoples – alternatives to the extant genocide-state. Africans know very well that there are alternatives to the genocide-state. They have both the vision and the capacity to create these alternatives. For Africans, indeed, the creation of these alternatives is imperative in this age of pestilence. Nothing else.

*I wish to thank Professors Mônica Dias Martins (Universidade Estadual do Ceará, Fortaleza), Sued de Castro Lima (Observatório das Nacionalidades), Manuel Domingos Neto (Univeridade Federal Fluminense) and Gustavo Raposo Pereira Feitosa (Universidade de Fortaleza) for an excellently organised and successful conference and for their immense hospitality during my visit to Fortaleza. Obrigado. Tchau!

Herbert Ekwe-Ekwe is the author of Readings from Reading: Essays on African Politics, Genocide, Literature (African Renaissance, 2011) which is available at amazon.com (US$29.95), Barnes & Noble (US$29.95), amazon.co.uk (£19.95) and elsewhere.

Thursday, August 11, 2011

Q & A Interview With Professor Alvin Lim


I bumped into Professor Alvin Lim at West African Documentary (WAD) that I begun at Facebook, trying to explore the concepts of the region, and at the same time putting research into perspective on the vagaries and uncertainties of an entire continent that has so much to offer in terms of human capital and natural resources. Alvin and I argued on the concept of Chinese exploration of Africa and its determination to develop the dark continent by way of dedication, commerce and financial security, insisting China has no intention of colonization. We talked about many other stuff including his employment at American University of Nigeria (AUN) where he would now sit as professor of Asian politics and International relations. Alvin just got to Nigeria some days ago and having a feel of Abuja in his new 2-bedroom apartment.

Excerpt:
Tell me about yourself.


I am from Singapore, which like Nigeria was a British colony. I studied Philosophy and Southeast Asian Studies at the National University of Singapore, receiving my BA (Hons.) degree in 1999 and my MA in 2002. I moved to Phnom Penh, the capital of Cambodia, to lecture in Philosophy at Pannasastra University in 2005, and in 2008 I moved to Honolulu, Hawaii, to start my Ph.D. studies in Political Science. I graduated with my Ph.D. in May 2011, and am currently expanding my dissertation into a book, "Cambodia and the Politics of Aesthetics."

Let us talk about your teaching assignment in Nigeria. How did the Nigerian project get started?


Back in February I saw a notice from the American University of Nigeria looking for a professor in Asian Studies. At that time I was completing my dissertation and felng assignment in Nigeria. How did the Nigeria project get stat that this was an interesting opportunity to pursue. I had always been interested in Africa, the cradle of humanity, and my interest had been peaked by my Ph.D. readings in postcolonial African writers like Frantz Fanon, Léopold Sédar Senghor, and Achille Mbembe. I sent in my job application and was pleasantly surprised when I was contacted in March for the job interview.

How would you describe your feelings when you picked up your STR Visa confirming the assignment to lecture in one of Nigeria’s universities?


I felt very excited - this is a big move for me, as this will be my first time in Africa, a continent I've only read and dreamed about.

What would you be doing in Nigeria?


I'll be teaching courses in Asian politics and international relations. I'll also be completing "Cambodia and the Politics of Aesthetics" and starting on my second book.

From your point of view, what area of discipline needs more attention as the country’s higher institutions faces the challenges of better education?

There's always a tension in the relationship between the economy and education, in that the graduates of the education system may not have the knowledge and skills necessary for job creation or even to fill the available jobs in the economy. Cambodia and the USA are having big problems with unemployed and unemployable graduates, and this problem exists in many other countries as well. The challenge is to encourage entrepreneurship on one hand and on the other to ensure a match of knowledge and skills with the existing needs of the job market.

What do you hope to accomplish?


I hope to equip my students with a good understanding of Asia, especially if they plan to do business or make a living there after they graduate.

Chinese migration to Nigeria has overwhelmingly grown over the years. The general feelings are that the country is facing another era of colonization. What’s your take on that viewpoint?

I agree with Dambisa Moyo that Nigeria and other African states should take advantage of the investment offered by China to accelerate their economic growth. In addition, China's economic boom has created a vast consumer market that the world's firms are doing their best to expand into, and Nigeria's entrepreneurs should not get left behind. Does this economic engagement represent a new form of colonization? Nigeria has to weigh the economic opportunities against the social impact of the new migrants.

Do you think Chinese migration to Nigeria has any favorable economic impact?

Consider a recent example. In April it was announced that China will loan $900 million to Nigeria to rehabilitate its rail and communications networks. Such an improvement in transportation infrastructure, in particular, the planned construction of the rail link between Abuja and Kaduna, promises substantial economic benefits.

You speak several languages. How are you integrated with Chinese language and culture?


Singapore has a bilingual education policy, such that students have to learn English as well as their mother tongue, which in my case is Mandarin Chinese. Culturally I belong to the Straits Chinese, that is, the culture of the Chinese migrants who settled in British Malaya, the territory that later became Malaysia and Singapore.

When you read the letter from Routledge’s Editorial Board approving your book for publication, what was your reaction?


I felt as happy as I did when I passed my dissertation defense. I was on tenterhooks the past several months as my manuscript went through the peer review process, and was relieved when it passed both the peer review as well as the editorial board's selection process.

You gave a hint that the book was an expansion of your dissertation, ‘using political and aesthetic theory to reflect on the violent history of Cambodia.’ Why did you pick Cambodia?


I chose Cambodia for my Ph.D. research based on the developments I had witnessed during my 3 years of work in Phnom Penh. Cambodia has suffered one of the most violent transitions in recent history, and I was deeply impressed by the resilience of its people.

Monday, August 08, 2011

LOST AND FOUND: (LETTER FROM OZO'S KENI SAINT GEORGE)

Relax my dear intellectual friend. The ghost has materialized. I won’t reveal the name, you will work it out. They say … ”The greatest enemy to a tyrant, is an Activist”. I parachuted into a sea of tyrants in Nigeria, November 30th 1994, a few months after my legendary Animal Rights street theater in the Queen’s property… Trafalgar Square London.

Just tell my darling family and particularly my Princess Hannah Zainab Saint-George, that Daddy ‘Okro soup’ is alive but under security harassment because of my Activism and Tuareg garb, Security Agencies think that I am part of OSAMA’S POP GROUP, can’t write them at all for security reasons. Tell her to use E-mail: crimsoncourtrecords@rocketmailmail.com or Rihanu2011@yahoo.com Tel (Nigeria) Mobile 07035259333.

Been living a monk’s lonely life and writing articles for News papers and writing the new Ozo album, in the Desert of Yobe for Security reasons-but campaigned for President Goodluck Ebele Jonathan and he won and I have now regained a bit of protective security cover.

Loved the interview with my blood brother in the legendary Ozo, Vernon Cummings. I am now creating an E. Commerce Website (www.crimsoncourtrecords.com) for the launch of my new Ozo Music CD-“THE LETTER “O” FOR OBAMA (THE CHAIN IS BROKEN)-12 TRACKS WITH THE 21St century re-recording of the LEGENDARY “LISTEN TO THE BUDDHA” and "Anambra River" track now retitled “THE LETTER “O” FOR OBAMA (THE CHAIN IS BROKEN). IF YOU USE "GOOGLE" and type in ABDULLAHI KENI SAINT-GEORGE, you will see a whole lot of my critical writings. Some caused dis-affection within the political and military establishment, hence several assassination attempts, the recent one only inches, away. The particular writings are of course “DEATH OF A PLANET, HOW THE UNIVERSE BEGAN”, “OBAMA, BUSH’S NEMESIS AND OUR AFRICA”. LEADERSHIP NEWSPAPER AND “WHY I DON’T WANT TO GO TO HEAVEN” in the DAILY TRUST NEWSPAPER. Here, I nearly got a Fatwa or Islamic death sentence, just like the British Author, Salman Rushdee’s death sentence from Iranian Mullahs. You will catch all of them and more @googleabdulahikenisaintgeorge.
I campaigned for OBAMA throughout West Africa, 2008, as 3.5 million West Africans live in the USA and are eligible to vote. See enclosed my correspondence with OBAMA. I am gearing up for OBAMA second term 2012 Election campaign with the release of Ozo’s Music CD… THE LETTER “O” FOR OBAMA (THE CHAIN IS BROKEN). Then I will reactivate my “OBAMA APPRECIATION SOCIETY IN SUB-SAHARA”, OASIS (E-mail:oasis1946@yahoo.com). His administration will partner my NGO, TEN (TRANSFORMATIONAL ENVIROMENTAL NORMS) FOR SUSTAINABLE ECO-SYSTEM, to fight Climate Change in Nigeria and Sub-Sahara.
The writings have caused a BIG NORTHERN UNIVERSITY TO GIVE ME A CITATION FOR “PhD in LITERATURE. Honorary degree? HOWZAT FOR A FUGITIVE ACTIVIST.

Tell Mike Davis to send me an E-mail: crimsoncourtrecords@rocketmail.com, about Ozo licensing for a compilation. And if he would help me license “THE LETTER ‘O’ FOR OBAMA (THE CHAIN IS BROKEN) ALBUM, through ACADEMY RECORDS, my former Record Label, AMHERST RECORDS, BUFFALO NEW YORK OR ROIR (REACH OUT INTERNATIONAL RECORDS) Prince Street Station, New York. I will need an advance for Video filming in Buddhist Tibet, South China for the track … “LISTEN TO THE BUDDHA” my new single for American market. Please advice me on the viability of internet record sales.

I OWE IT ALL TO THE “MIGHTY BUDDHA OF THE UNIVERSE” AND MY SON PRINCE ZEN, PRINCESSES ELIZA GOZIE, ALEXANDRA NKECHI AND MY BABY, HANNAH ZAINAB SAINT-GEORGE AND EX-WIFE, SUE.
PLEASE PASTE THIS “LOST AND FOUND” ON YOUR BLOG.
KENI SAINT-GEORGE, OZO OF LONDON. ZEN BUDDHIST
MONK/SPIRITUAL MASTER (he liveth in the light of
Buddha). INTERNATIONAL, ENVIRONMENTAL, HUMAN
AND ANIMAL RIGHTS ACTIVIST. ABUJA, CAPITAL OF
NIGERIA.

May the BUDDHA BLESS AMBROSE EHIRIM, OLESEINDE, VERNON CUMMINGS, TRACY AND EVERY ONE THAT HAS MISSED THIS CRAZY OLD GENIUS, A CAT WITH NINE LIVES, PARTICULARLY MY BABY HANNAH, WHO SEARCHED FOR DADDY. OH HOW SHE MADE ME CRY FOR HOURS. I FELT MUCH STRONGER NOW THAT I KNOW THAT THE WHOLE WORLD MISSES ME. IT IS QUITE HUMBLING.

Bombs are going off every week in my country, Nigeria, killing and maiming hundreds of innocent civilians, military and police personnel. The funnel of wrathful fire is coming from the Muslim Fanatics from Northern Nigerian. Aided and abated by criminal politicians and ominously, OSAMA BIN LADEN’S AL-QAEDA IN ALGERIA, YEMEN AND SOMALIA.

I have now registered a CIVIL SOCIETY… “RELIGION IN HARMONY FOR NATIONAL UNITY” (RIHANU) Email: rihanu2011@yahoo.com. A spiritual concept to harmonise all religions, remove the main ingredient of angst…THE THREE NEGATIVE CENTRISMS, VIZ., EGOCENTRISM, ETHNOCENTRISM AND RELIGIOUS-CENTRISM. As abject poverty, unemployment, hopelessness and hunger are abroad, then I have to apply a bit of socialism.

I OBVIOUSLY NEED HELP FROM ANY OF YOU GUYS OUT THERE, BE IT ON CLIMATE CHANGE, CIVIL SOCIETY OR ENVIRONMENT. LASTLY I AM GUNNING FOR TOP 10 BILLBOARD SINGLES AND ALBUM CHARTS.

AMBROSE, I KNOW YOU WILL GIVE ME AN E-INTERVIEW. LETS GET ON WITH IT. KENI SAINT-GEORGE (THE GHOST).
THE SEARCH OF KENI SAINT GEORGE AND OZO HAS ENDED.

Friday, July 29, 2011

Classic Modelling Shots From Yomiland

Nelson Mandela and Model Naomi Campbell Embracing
Naomi Campbell weeps with emotion as she embraces her hero Nelson Mandela. Former President of South Africa and longtime political prisoner, Nelson Mandela, was held by the apartheid based government from 1964-1990 for sabotage. With the coming of a freer political climate, Nelson Mandela was released from his life sentence at Victor Vester Prison on February 11, of 1990. He went on to lead the African National Congress in negotiations with President F. W. de Klerk, that resulted in the end of apartheid and full citizenship for all South Africans. He and de Klerk received a joint Nobel Prize in 1993 for their efforts. Mandela was elected president in 1994. Date: February 01, 1998. Location: Cape Town, South Africa. Image: Louis Gubb


Model and Activist Waris Dirie. Date: March 01, 1992. Image: Nick Vaccaro


Fashion Model Iman and Norma Kamali. Date: ca. 1985. Image: Nick Elgar


West Indian Models Wearing African Style Prints.
Paris fashions: Two of a group of Negro models from Martinique are shown as they modeled fashions by designer Martin at St. Germain des Pres.
Date: June: 23, 1952. Location: Paris, France. Image: Bettmann Collection

Wednesday, July 27, 2011

On The Set Of "I Love You, I Don't" By Georges Pierre

American actor Joe Dallesandro, British actress and singer Jane Birkin and her partner, French director, singer and songwriter Serge Gainsbourg on the set of Gainsbourg's film "Je T'Aime, Moi Non Plus" (I Love You, I Don't). Date: October 01, 1975. Location: France. Image: Georges Pierre/Sygma.

Memorable Images And Time

African American Athletes at News Conference
Nation's top Negro athletes gathered for a meeting at the Negro Industrial and Economic Union to hear Cassius Clay's view for rejecting Army induction. News conference shows (front row) Bill Russell, Boston Celtics; Cassius Clay; Jim Brown and Lew Alcindor. Back row (left to right): Carl Stokes, Democratic State Rep.; Walter Beach, Cleveland Browns; Bobby Mitchell, Washington Redskins; Sid Williams, Cleveland Browns; Curtis McClinton, Kansas City Chiefs; Willie Davis, Green Bay Packers; Jim Shorter, former Brown and John Wooten, Cleveland Browns. Date: June 04, June 04,1967. Location: Cleveland, Ohio. Image: Bettmann Collection


Former track star Jesse Owens (C) and Cleveland Indians' pitcher Satche Paige (R) are congratulated by Illinois States Attorney John Boyle after they received Ebony Magazine Awards as two of the nation's outstanding African American athletes in 1949. Date: August 20, 1949. Location: Chicago, Illinois. Image: Bettmann Collection


Flanked by athletes who are supporting a boycott of the 1968 Olympic Games, George M. Houser, (3rd left), executive director of the American Committee on Africa, calls for a meeting of the International Olympic Committee in order to reverse its decision readmitting South Africa to the games. Attending press conference here are (left to right): Heyward Dotson, Staten Island, N.Y., Columbia University basketball team; Kwaku Ohene-Frempong, Ghana, Yale University track team; Houser; Steve Mokone, South African soccer player and student at University of Rochester; New York Yankee infielder Ruben Amaro; and New York Yankee pitcher Jim Bouton. Date: April 11, 1968. Location: New York, New York. Image: Bettmann Collection.

Book Review: Dreams Of A Better Life, Fueled By Prostitution

By Jessica Gelt, Los Angeles Times

"On Black Sisters Street," By Chika Unigwe
Random House (254 pages, $25)


In Chika Unigwe's novel "On Black Sisters Street," the snow-covered streets of Antwerp, Belgium, are a beacon of freedom to the four disadvantaged African women who serve as the book's protagonists. Recruited in Lagos, Nigeria, by a fat slug of a sex trafficker named Dele, the women work as prostitutes in glass stalls along the byways of Antwerp's seedy red light district. They dream big, though, and they never make excuses about why they are there.

In fact, big dreams are why the women decide to work in the sex trade in exchange for passage to Europe, which they view as a paradise of opportunity and riches, far removed from the crushing squalor and bleak opportunities in Africa. The question of what makes a victim is very much at the core of this chilling piece of fiction. And the women - Sisi, Ama, Joyce and Efe - refuse to characterize themselves as such, no matter how tragic the circumstances that pushed them to choose life as prostitutes.

It is this defiance that gives the fierce women their strength as characters, and it is this defiance that makes the many men in the book look even more vile. If the book has one major fault, it is that. The men in the story are so contemptible they come off as stereotypes, all fitting into one of five too-neat categories: weak, cruel, cowardly, vicious and evil.

The story begins after Sisi has been murdered, leaving the other three to sit in the flat they sublet from their callous madam to ponder what happened and why. This leads them to reveal their histories - fragmented, sorrowful memories still tender to the ear, that they packed along with their clothes and girlhood trinkets when they left Lagos for an uncertain future in Europe.

Unigwe was born in Nigeria and lives in Belgium. In the book's acknowledgments, she writes of her gratitude to "the nameless Nigerian sex workers who allowed me into their lives, answering my questions and laughing at my ignorance." So, while the novel - Unigwe's second - is a work of fiction, it is drawn from a pool of vivid experience.

The story is told in flashback, with a different chapter dedicated to each woman's story. These chapters are bookended by small moments from the present, and a running description of the final days of Sisi's life, concluding with a window on her death. In this way, the book reads almost like four short stories strung together by a common thread of hardship.

If the women made poor choices, they were driven to them by the predatory ways of the men around them. Ama was repeatedly raped by a man she thought was her father. She learns that he is her stepfather only when he kicks her out. Joyce was forced into a refugee camp in Sudan after the Janjaweed militia - armed Sudanese Arabs who have been at the core of the Sudanese conflict for nearly a decade - killed her family in front of her and then gang-raped her. Efe was impregnated at 16 by a much older, married man who left her when she made her shame known.

Ironically, Sisi's story is the least overtly terrible. She grew up very poor and was encouraged to go to college, which she did. But she could never find a job and feared a life languishing in a tiny, dirty apartment in Lagos like her father, who never amounted to anything.

The women meet Dele, who promises to pay their way to Europe, where they will work as prostitutes until they pay off their debt. When they have paid him, he says, they will be free to achieve their grand dreams in the West. Ama, for example, once wanted to go to university, but now dreams of becoming a pop star.

"I imagine that I am standing on a podium posing for my fans. I imagine them screaming out my name, shouting out for autographs. I imagine that my real father hears about me, his famous daughter and reveals himself to me," she says, after Joyce says she thought she'd become a doctor, and Efe says she wanted to be a famous writer.

They then wonder what Sisi's dreams were. They will never know, because Sisi takes her secrets and hopes to the grave. But the reader knows that she has been pretending to be a rich tourist on her days off and that she has fallen in love with a kind Belgian man who stays with her after he knows her trade. He also asks her to leave for him. She was leaving the day she was killed.

The senselessness of this death amid a jagged landscape of words that reveal the ugliest sides of poverty, desire and greed is breathtaking. "On Black Sisters Street" is not an uplifting book; instead, it mirrors life itself, where bad things happen to good people who are simply trying to build delicate fortresses of well-being around their vulnerable psyches. They may fail often and their defeat may be bitter, but when the sun rises, they will get up. They will try again.

Tuesday, July 19, 2011

Q & A Interview With Model Eeefy Ike


Eeefy is a successful model and actress who is today broadening her endeavors with a new book, a clothing line and a charitable foundation to aid burn victims around the world. Herself afflicted by terrible burns as a child, Eeefy has made creating more burn centers around the world, the primary goal in her life, even beyond her career in entertainment and fashion. Her New World Hope Foundation is today becoming a major force in bringing awareness to the need of medical facilities for burn victims in impoverished communities.

Eeefy was born in Nigeria. She’s the 13th of 17 children, six stepsiblings from father’s first marriage and three from mother’s first marriage. Her father is a retired mechanical engineer and politician, chief sir Wilfred Ike and mother, a retired fashion designer, Gladys Ike.

When she was just 3 years old, she sustained third-degree burns all over her stomach up to her chest area and legs in a violent attack. But due to the absence of burn centers in Nigeria and lack of funds to fly abroad for treatment, Eeefy was forced to live as an outcast with terrible pain and ugly scars.

Her zeal for life and eagerness to survive compelled her to eventually agree to get married at a tender age to a kind Italian engineer working on a contract in Nigeria. As soon as his contract ended, he acquired a visa for Eeefy and took her with him to Europe. That opportunity gave Eeefy a second chance for life and safety.

Although the marriage did not work out, Eeefy still sought to heal herself emotionally and physically, thus she came to the U.S. where she began medical treatments in early 2001. Soon she was encouraged to enter in the entertainment industry and quickly became a much sought-after model and actress.

Eeefy’s work included scores of television commercials for major brands such as Gillette shaving cream for men which aired in the U.S., United Kingdom, Europe and Africa for over two years. Other National television commercials included Burger King, Keglevich Vodka, Sauza Diablo Tequila, Comcast High Definition, Diesel Jeans and many others, including a Nokia International product launch. Most recently, her hands were also used for the Aroma product national infomercial.

Her work includes guest starring in the John Stamos 20th Century Fox television series, “Jake in Progress,” as well as a number of independent films.

Eeefy’s exquisite beauty has graced the pages of Beverly Hills Celebrity Society Magazine, Gazette Magazine-Montreal Canada, Getty Images, Wire Image and Flickr. Her memorable laughter was a ringtone for the “You Shake I Laugh” iPhone application produced by Roman Reyhani.

Eeefy’s strong presence, fusion accent and signature walk have also earned her several hosting and personal appearance engagements that range from hosting elite parties, exclusive private business events to sports events such as the Grand Prix, as well as appearances in several music videos. She has an excellent background as a consultant and spokes model for a variety of media projects including “Attitude and Catwalk,” “Lady Maxxa-The Golden host in Many Moons,” “Metropolis by Janelle Monae music video/short film with Anonymous Content/Treasure Entertainment.” She was a spokesperson and image consultant for “Catwalk Hollywood” project for Nigeria. She has appeared as a guest speaker in a “live” online talk show at outonline.com “The Real Zephyr” by Sidney Alvarez. Eeefy has also been a spokes model for world-famous jeweler, Ricardo Basta of Beverly Hills.

With an eagerness to motivate people and share her experiences in life, Eeefy has authored a motivational book which is in the process of being published and is finishing two other motivational books. She also wrote and produced a pilot of a TV show series and film named “Queen of the Jungle in Beverly Hills,” the story of an exotic African girl and her quest for fame and fortune in the Western world. Eeefy is also collaborating with a famous artist in Beverly Hills to design her own clothing and accessory line. In the near future she also plans to introduce “Eeefy’s doll” for little girls.

Excerpts:

Before we proceed, how about some history regarding yourself?

I was born in Port Harcourt. Grew up partly in Nigeria and partly in Europe and now I live in America but travel the world extensively.

How did a little girl growing up in Port Harcourt, had such a big dream, and got into entertainment and things like that. Where was the motivation from?

It was never a part of my aspiration to pursue a career in the entertainment industry; however, I heeded advice from friends to explore the industry because I realized it could be a vehicle I needed to achieve my ultimate goal, which is to build burn centers in countries that are lacking burn centers.

Your first book, “Peering Through The Depths Of Life” seems to be quite fascinating. Can you tell me about it and the idea behind it all?

“Peering Through the Depths of Life” is an inspirational book that covers relationship problems and life’s challenges. I choose to peer into various issues because they are everyday, common struggles that hinder and depress people and need to be addressed. The book is an easy read as the topics are brief and straight to the point, and the reader does not have to start from the beginning of the book, as every page tackles a new issue. The book is additionally perfect for references and it is also integrated with beautiful images of me that reflect my spirit, passion and style.

Why did you write “Peering Through The Depths Of Life” and what message are you sending to your readers?

I wrote Peering Through The Depths Of Life” out of the eagerness to help those that are struggling; by sharing my experiences that have allowed me to understand the causes and effects of pain in different aspects – those that are not normally recognized or dissected due to an individual’s confused state of mind during times of crisis. I’m hoping that my insight can help them to deal with their own problems effectively, so they can live a more meaningful life. What is the meaning of life when one’s soul is stifled?

I have learned that problems are inevitable parts of life and our experiences are the integral element of our mental growth and we must all confront those problems, no matter how difficult they may seem, by peering through the depths of their causes and objectively seeing ourselves and our actions as they really are in, order to find true solutions and ultimate peace.

What’s the most crucial thing a first-time writer should know?

As a writer, your vision must be clear.

I’d imagine with all the shows that you do – TV, radio, movies and other related events in Hollywood, it’s obvious you love what you do. Could you have done something differently assuming Hollywood was not a success story?

I’m also pursuing other interests that are unrelated to the entertainment industry. I’m collaborating with other people for skin care products and clothing line. I’m also making “Eeefy doll” for little girls.

In my case, I have heard too many bizarre stories about myself. What are the bizarre stories you heard about yourself and how did you take it?


Africans have labeled me mammy water (goddess of the sea) – they even go as far as writing things like “mammy water has left the sea where she’s supposed to be” under my photos on Facebook. Some even doubt I’m a real woman because my features are perfect. They have said that my accent is abnormal for whatever reason and that I dress too sexy to be a motivational speaker and ought to emulate Oprah’s style of dressing, since I’m like her – I assume the latter means my wisdom is compared to hers. Everyone is entitled to his or her opinion; however, I’m immune to other people’s negative perception of my personality. No one governs my soul with his or her ignorance. It’s unfortunate that a person would invest so much time and energy in criticizing other people while he/she has flaws… It would be more beneficial for that person to channel that time and energy in looking into their life and improving on where there’s a lack.

Eeefy believes that if you invest time and energy speaking ill of someone else, that means that person is very significant to you and powerful enough to consume your time, energy and thoughts! Eeefy is not fazed by malicious criticisms because those that are swift to cast aspersions on others are weak spirits that aren’t worthy of acknowledgment and their intentions are usually to elevate their stifled soul, which may likely only be for a minute because when the laughs are over, they would revert back to their miserable state again. I DO NOT acknowledge such evil critics because they are of no consequence. I need time to apply my makeup, leggings and bustier and no time for the nonsensical. (Laughs!)
It’s ignorant of Africans or anyone to attribute beauty to a mermaid. As long as your beauty is uncommon, the spirit of a mermaid or an ogbanje spirit or any other spirit that they choose possesses you and you must have supernatural powers that they believe may be used for evil. It seems as if Africans expect everyone to look like the girl next door or to have a over-sized head, large lips and huge bum or big nose and walk like a duck. A woman is not allowed to possess extreme beauty and move with grace; else she’s labeled a supernatural being or even a witch, if they so please and perhaps a prostitute if the critics are extra intoxicated. Very distressing also is the fact that the majority of Africans do not like to see their fellow Africans happy or successful, so the wickedness and jealousy rooted in them is often provoked at the site of another African that seems to be happy and succeeding, whether that person is beautiful or not though it is worse if beauty is added to the package. Very sad indeed!
In addition to one having his or her own identity, there’s something called ‘image’ in the entertainment industry that is an integral component of an artist’s career, which must be adopted if one wants to have a long lived career. An artist does not have to fit into your box or conform to a conventional method of speaking or dressing, however people learn to respect the artist’s image just like they would expect their ways or personality to be respected by others. Everyone is unique in their own way, thus everybody cannot sound, look or think the same. No one is in this world to live up to anyone’s expectations. It’s only by chance that one person’s spirit resonates with another. Besides, what would stimulate our mind if we were all the same breed? Why do you gravitate to artists unless the simple fact that their personalities/careers intrigues or provokes your thoughts? Were they like you, you would not raise an eyelid or have gossip to peddle. Unfortunately many Africans are mostly inclined to the ignorance of not appreciating an artist’s image, and that’s simply because of their primitive mentality that I pray changes with time, so that they can support their children so they can thrive and not discourage their growth and deter their success with remorseless ignorance.

The Westerners are more appreciative of uniqueness because they understand image. Not that there aren’t Africans who appreciate me because I have very loving African fans as well. But my bizarre and even evil experiences have been with Africans… right from the tender age of 3. I was afflicted by the ignorance of African tradition, which is a common practice in Africa. They would kill you if you were singled out as an abnormal breed. Africans know what they do to children believed to be witches. The so called saints who kill or harm these children believe they are doing the right thing but they refuse to realize that destroying another person’s life is another form of witchcraft.

My accent is fusion and has been derived from extensive travel, living in different countries and speaking a few languages. It would be almost impossible to remain the same after all my experiences. Africans want you to be like them because you’re an African and if you’re not like them, then something is wrong with you. Ludicrous!!! I love who I am and would not change for this world that consists of people of various backgrounds, culture and mentality because pleasing everyone would be impossible. God has created me unique for my purpose in life and I WOULD NOT apologize for it. I relish my image, in spite of whatever flaws I may have.
I’m very honored to be compared to Oprah, who has been a big inspiration to my life. Having said that, I would not emulate Oprah’s style of dressing and personal presentation because I’m a different breed that possesses a different type of body. My style of dressing is in harmony with my personality and my physique and my lifestyle and career. It would be ignorant of me to adopt a style that does not suit me just to please others. I’m not one of those people that trudge through life swaying to the drumbeat of others and drowning in misery. I dance to my own music, so I can understand the rhythm that’s pleasing to my soul.

Furthermore, I’m born into a new era; a progressive world with evolution in technology that influences our viewpoints, interactions in business transactions, in the work environment, and even in social areas with others from different background and mentality. Personal presentation dictates other people’s instant assessment of one’s personality, thus diminishing or elevating one’s credibility. As a motivational speaker with eagerness to inspire the youths that are going astray or are broken, I have to also be welcoming and relative to them, at least in appearance. These types of youths can be found in many different types of areas – they are usually ensnared into environments that should be forbidden for their built-in dangers. For instance, I can walk into a whorehouse, a drug haven or a drinking bar, etc. and fit right in, even though I do not indulge in such destructive lifestyles. I would fit right in because my personal style and appearance would appeal to them, which is the kind of reception that would ease my mission to go and motivate them to unshackle themselves from such bondage and destruction. I walk in as a friend and make a positive impact in their lives. Do you think looking like Oprah would gain me the same reception?

Have you ever imagined that God created you the way you are for a reason? It’s important for you to know that everyone has a purpose in life and when you find your purpose, you ought to walk the walk, talk the talk and present yourself in the light that would lead you to fulfilling that purpose, Anything else would only steer you in a different direction or deter you from achieving your goal. When you pretend to please others, you’ll be hurting yourself in ways that are oblivious to you. Lack of self-awareness also hurts no one but you. Living in illusion is akin to living in exile from yourself.

What’s your impression of how Nollywood fits into the world stage of the entertainment industry?

Nollywood is very dramatic in African appreciation but not yet at the stage to resonate with the Western world, so Nollywood still has a lot of work to do to even assume any position on the world stage of the entertainment industry.

Yes Nollywood is growing; nonetheless, growth is extremely slow due to the following obvious reasons;

1. Lack of support from the Nigerian government is definitely a major hindrance for Nollywood. They need funds and a well-structured system to nurture the industry.

2. Their production quality is very poor, perhaps good enough for the African audience who would have to consider the economic situation of the country before casting criticisms at production quality. However, if Nollywood wants to appeal to a global market, then Nollywood needs to enhance its production quality. There are a few aspects I believe they can improve on to enhance the movie and elevate their standard, such as:

a). Actors should wear the right wardrobe that suits the role they play and that is integral to the scenes. This aspect of a production is an important instrument in telling the story

b). Makeup and hair should be in harmony with the characters as well.

c). Editors should re-evaluate their methods of editing. For example, their scores always overwhelms the conversations between actors in the film and viewers have to try hard to filter through the loud music to understand what is being said.

d). Your audience does not need to know every irrelevance during filming, hence the need to cut out the extra mile in editing. The audience is traveling a journey with you in the subconscious mind while you’re narrating the story so go straight to the point to avoid losing them along the way before you arrive at your destination.

e). The yelling is unnecessary. Film differs from theater, thus the range of tones and body language needs to be controlled. For film, an actor needs to be subtle in delivery, as the camera tends to magnify every little movement. Theater is an open space, hence the requirement to be extra dramatic and even lurid in delivery, in order to fill up the room.

3. Piracy is drowning the industry. How can the industry possibly grow when she’s persistently robbed? Nigerian government desperately needs to take control of that piracy.

4. Nollywood lacks originality. Perhaps they should tell traditional stories if that’s what it takes to refrain from reenacting Hollywood stories and in such mediocre forms like they do. They ought to stop using names of Hollywood celebrities to identify their characters. Naturally, as Africans, we are very dramatic -- our lifestyles and mannerisms are enough to fill up the screen and intrigue the audience, thus we do not need to redo Hollywood stories. There are many aspects of our tradition that are equally worthy of projecting unto the screen just like Hollywood stories.

Let’s talk about Nollywood acclaimed to be the third movie industry on the face of this planet, after Bollywood and Hollywood. How could with only home videos and no theatres? What’s your take on that?

Nollywood is the third movie industry in the world even with the lack of theaters and quality production simply because they dish out thousands of films every year unlike the other industries that are more inclined to quality instead of quantity.

What was the highlight of the radio interview on “What’s Cooking Today”?

The highlight was the good questions they asked about my inspirational book “Peering Through the Depths of Life” that is set to be released on the 21 July, 2011 on Amazon.com.

Let’s talk about “Ask Ify.” If you were to stop doing it suddenly, what do you think the fans’ reaction would be?

I stopped the experimental videos already because I got what I wanted from them and you’ll understand in a short time. Though my fans are still sending in questions and expressing disappointment for my sudden retreat. I have kept “Ask Eeefy” alive through my blog posts on Facebook because my soul delights in inspiring others.

What projects are you working on now?

I’m working on 3 inspirational books that will be released 6 months apart. My foundation “Eeefy’s New World Hope Foundation --- preventing further injury and death from superstition” will be launched this Fall! I’m also working on a comedy film, ‘The Queen Of The Jungle In Beverly Hills’, and my line of apparel and skin care products. I do wear some of my designs “Eeefy by Giorgio Tuscani”. My designer is a famed artist in Beverly Hills, known for immortalizing celebrities on canvas. He actually immortalized 2 gorgeous angel images of me and donated them to my foundation. They will be unveiled during the launching of the foundation.

Friday, July 15, 2011

Documentary: Orphans and Vulnereable Children in Nigeria

Justice Development Peace Commission, JDPC, is actively involved in peacebuilding, early warning, early response and conflict mapping in this area because of tribal violence. Father John Attah is the coordinator of JDPC, he is wearing a white frock. Every three months they have events in the area of the communities involved, including the Agbaduma area, of Agatu local government. This month they are having a Peace rally with speakers being from the Methodist Church, the Catholic churches and the four chiefs of the involved tribes. One community, Ekaidar, was distroyed this past April by people from the Egba community because of misconceptions. Five people were killed. Father John with local villagers and police tour the damage. Police are also involved in the peace-building activities. Date: August 27, 2010. Location: Obagijir, Benue. Image: Karen Kasmauski for CRS


Akula Ajir, 10 years old is part of the OVC program in Makurdi district, Nigeria. His mother and father have died of AIDS. He lives with his mother's sisters, Rose Ahua and her husband Justin Ahua. They are both HIV positive and volunteers with the Makundi Diocese volunteer program . The Ahua have three children of their own, including an adult daughter who is married and has a three month child. Akula does jobs around the compound including the laundry. He baths his little brother, Tersoo and little sister, Mrumun. CRS pays for him to go to school as well as his health visits. He is frequently visited by the head nurse of local health clinic, Fidelia Nyior (she is wearing a blue dress) He also hangs out with his buddies, his peers for meetings and general support. Date: August 23, 2010. Location: Makurdi, Benue. Image: Karen Kasmauski for CRS.


Orphans & Vulnerable Children in Nigeria
Parish of SS Peter and Paul in the village of Aliade, Nigeria supports the OVC program along with CRS. One of the members is Magdalene Shemba. Her caregiver is her father, Mathew Shemba who is also PLHIV. She works with her sister, Jennifer,18, cooking dinner and cleaning. She also meet with her peer group young women who are OCV between the ages of 11-18. She is wearing green dress and then changes into a white shirt with black strips and a pink skirt.Date: August 24, 2010. Location: Aliade, Benue. Image: Karen Kasmauski for CRS.

Wednesday, July 13, 2011

Q & A Interview With Novelist Alretha Thomas


An author, playwright, producer and director, Alretha Thomas is making her name through her pen. Award winning plays and wanting to help her community, Alretha’s background is as diverse as her personality. She started at the age of ten, when her 5th grade teacher picked and read her short story assignment in front of the class – that simple, loving act empowered a new writer. Continuing in high school, her numerous original oratorical conquests on the Speech Team led her to a journalism concentration at the University of Southern California. Upon graduating, Alretha soon realized that her interest in journalism was not heartfelt. While at the taping of a live sitcom, the producer noticed her and encouraged her hand at modeling. Modeling didn’t mean much to her, but it did lead her to acting and a NAACP Theatre Award Nomination (1993) for BEST ACTRESS. She feels that this acting stint gave her more fuel to write, and particularly, a better understanding of character development.

Alretha left acting and began to write full time. Her church gave her an outlet to fulfill her writing desires through their Liturgical Fine Arts Department wherein Alretha penned twelve theatre pieces - the community response was overwhelming. This led to full length plays outside of the church including Alretha’s play, Sacrificing Simone (2007) which had a successful run at Stage 52 in Los Angeles and was called “an inspirational crowd pleaser” by the Los Angeles Times and her most recent work, the ground breaking One, Woman Two Lives, starring Kellita Smith (The Bernie Mac Show), directed by Denise Dowse, which garnered rave reviews from critics and audiences. In between plays, Alretha’s first novel "Daughter Denied" was launched in 2008.

Excerpt:

In what environment did you start putting “Dancing Her Dreams Away” together?

“Dancing Her Dreams Away,” had an unusual evolution. I actually had planned to write the sequel to my debut novel, “Daughter Denied.” By the way, I’m not sure why I come up with these titles that feature double “D’s.” LOL. The sequel to “Daughter Denied” was going to be named “Daughter Denied Again” and I finished the novel early last year. It numbered over 300 pages. Unfortunately, after getting feedback and giving it an objective look, it was a mess. It had no heart and structurally it was just off and unsalvageable. I had written the novel from my head and not my heart. It was painful, but I trashed it and almost gave up on writing. But the dream would not die, if you will, and I took some time to reassess my writing endeavors. I decided to take a stab at another book and committed myself to writing something that I could connect to. I reflected on my life and realized I have had some very interesting experiences. One of which, was the time I was pursuing acting and I needed a night job. So like the character in my book, I got a job as a dance hostess in a taxi-dancing club. They still exist and were very popular in the 20’s and 30’s. It’s a place where men pay by the minute to dance and talk with women. There’s no nudity, touching, or alcohol. At least not on the premises. LOL. Like the character, I was only 21-years-old and like the character, I was desperate to be this famous actress, because I needed something to complete me, validate me. Growing up in an abusive situation, I had no self-esteem and like Shelia, in “Dancing Her Dreams Away,” I thought being a famous actress would complete me. Because I could tap into those feelings, I decided that would be the book I would write. A book about a young woman who has no sense of her real self, determined to become a famous actress, and her determination coupled with her desperation, makes her vulnerable to situations that could possibly be life-threatening.

And how did you arrive to conclusion it should be put into a book?
As mentioned earlier, my ultimate goal was to write a second novel and I had planned to write the sequel to my debut novel “Daughter Denied,” but ended up writing “Dancing Her Dreams Away.”

What were your doubts at the time of penning and putting a well conceived,magnificent characters -- Shelia King and Gregory Livingston III -- together?
In reference to Shelia, I did have some concerns regarding how she would be portrayed, because she is definitely very similar to me when I was her age. I questioned where I was going to take her on the journey and how deep I would go. As a writer, people always assume you’re one or more of the characters in your book and usually they’re correct. You may not be an exact version of a character, but usually there are some similarities. Like Shelia, I worked at a taxi-dancing club while pursuing acting and like Shelia; I ended up abusing alcohol and drugs. I thought a great deal about how I would approach Shelia’s alcoholism and I knew that if I wrote it true to form people would wonder how I knew so much. It’s my hope that people will find act three of the book educational. I also had doubts about how to present Shelia. There have been comments about Shelia being too naïve. However, in writing her, I wanted to convey that it’s not her naiveté that gets her in trouble, but her desperation to make it as an actress. She sees things, but she chooses to turn a blind eye so that she can get what she wants. However, as she soon learns, there’s a price to pay. Gregory, on the other hand is totally fictional. I mean, I’ve dated and encountered men who were single and secretive, but not on Gregory’s level. It was fun writing him, but challenging as well because of who he turns out to be. I argued for days with a friend of mine who questioned my choices about Gregory, but I had to be true to myself and the character. I want to say more, but I don’t want to give away the story.

What would you have done differently assuming you did not complete the book?

There’s no way I could even let myself think about not completing the book. I am a true writer and when a book has been conceived, and I carry it to full term, it has to be born!

Let’s talk about your previous projects before “Dancing Her Dreams Away.” “Daughter Denied,” I understand was a dream project for the fact it was your debut novel and a sequel was expected. With such a compelling story how come we did not see a sequel? What happened?

"Daughter Denied" was my first child, and I had always dreamed of writing a novel about a young girl who endures hardship, but grows up to be a successful woman. It is inspired by my childhood. Readers fell in love with the protagonist Tina, and wanted me to write a sequel, and as I mentioned earlier, I attempted a sequel, but just could not connect to it emotionally. I’m hoping that in the near future I may be inspired to write the sequel.

You acknowledge leaving acting and devoting your full time to writing. Tough decision, and what was the motivation?

The last time I set foot on a stage or in front of a camera was in 1991. I was going through a lot emotionally and spiritually and needed time to step away from acting. I needed to get grounded and rooted in my walk with God. I was drinking more than I cared to and needed to take stock of my life. I joined a 12-Step Program, got back in church, and a few years later started writing plays for my church. They were such a hit that I also began writing plays for the community and the rest as they say is history.

Let’s talk about plays and the theater arts. What plays are you working on now besides your devotion to writing?
My last play was “One Woman, Two Lives,” and it starred Kellita Smith of “The Bernie Mac Show.” It debuted in 2009 in Los Angeles and Upland, California. It was a huge hit and it’s my hope to bring it back to the stage. Additionally, I have written a play called “Mommie and Clyde” about a couple who grew up together and who have spent their entire life participating in get-rich-quick schemes. Clyde thinks he’s finally hit the lottery when he meets a rich woman and convinces her to marry him. However, he has plans for the honeymoon, deadly plans, if you get my drift. I love this play. There are four characters. Clyde and Belinda. Belinda’s brother Zack and Katrina, the wealthy woman. It’s basically a romantic comedy. I would love to have this play produced.

Based on your experience now in the literary world, what would be your advice to would be writers and sending the message in terms of the craft?

Never give up and that’s difficult to do, because there is so much competition and rejection. Believe in yourself and the story you’re telling and be open to constructive criticism. I am still growing as an author and a playwright. I’m a work-in-progress.

How are the reviews and the book on the shelves?

The reviews for “Dancing Her Dreams Away” have been fantastic. Mostly five-star and people get the story. Here’s a few snippets.

“Alretha creates a storyline that's believable. The reader will keep turning the pages to see what happens to Shelia's dreams. Wonderful second novel from Ms. Thomas.”
Ladies of Color Turning Pages Book Club (Los Angeles, California)

“Dancing Her Dreams Away is filled with romance, drama, suspense, and mystery that will keep you glued to the pages. Ms. Thomas has done a wonderful job in developing the characters. This one is a must read!!”
Divas Read 2 Book Club (Dallas, Texas)

“You won't be able to put this book down and after reading it, you will have much to think and talk about.”
Real Women Read Books (New York, New York)

“Kudos to Alretha for another literary winner. She has definitely showed her ability to tell a good story and lead the reader to think in the process.”
Conversations Book Club (Jackson, Mississippi)

Book sales are okay, but there’s always room for improvement. Please, please, readers, get your copy of “Dancing Her Dreams Away.” I thank you in advance. The book is available now on www.Amazon.com.

Like the book portrays, how about a movie deal?

I would love for “Dancing Her Dreams Away” to be optioned for a movie! Please spread the word and let me know if anyone is interested. It would make a fantastic film. I could see the actor Idris Elba playing the role of Gregory Livingston III and perhaps an unknown for the part of Shelia. It would be a dream come true, and I would love to help pen the screenplay and be apart of the movie making process from beginning to end. From your lips to God’s ears!

You can get more information about me and “Dancing Her Dreams Away” at the following online locations: TWITTER, FACEBOOK, "DANCING HER DREAMS AWAY"

Synopsis:Shelia King, a fun-loving grandma’s girl, needs to keep her days open for auditions in the hope of landing a role that will catapult her to stardom. With the threat of eviction looming, she scrambles to find a night job and convinces the owner of a hostess club to hire her. Now she’s a dance-partner-for-hire by night and struggling thespian by day. When her agent pitches a topless role, fearing her grandmother’s disapproval, Shelia declines. But after setbacks and considerable thought, she agrees to meet the producer. Gregory Livingston III is rich, suave, ridiculously fine, and the panacea for Shelia’s career woes. At first sight she shapes plans to win the role and his heart. She gets both and works hard to give an Oscar worthy performance. However, when the movie wraps, nothing can prepare her for the startling revelations about Greg’s past and the aftermath of a dream gone awry.

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