Showing posts with label Documentary. Show all posts
Showing posts with label Documentary. Show all posts

Monday, September 29, 2025

A New Treatment For Huntington’s Disease Is Genuinely Promising – But Here’s Why We Still Need Caution

While rare, Huntington’s disease is inherited and fatal. Izuchukwu Onyeka/Getty

BY BRYCE VISSEL
COJOINT PROFESSOR,
SCHOOL OF CLINICAL 
MEDICINE, UNSW SYDNEY

Imagine knowing in your 20s or 30s that you carry a gene which will cause your mind and body to slowly unravel. Huntington’s disease is inherited, relentless and fatal, and there is no cure. Families live with the certainty of decline stretching across generations.

Now, a new treatment is being widely reported as a breakthrough.

Last week, gene therapy company uniQure announced that a one-time brain infusion appeared to slow the disease in a small clinical study.

If confirmed, this would not only be a landmark for Huntington’s disease but potentially the first time a gene therapy has shown promise in any adult-onset neurodegenerative disorder.

But the results, which were announced in a press release, are early, unreviewed and based on external comparisons. So, while these findings offer families hope after decades of failure, we need to remain cautious.

What is Huntington’s disease?

Huntington’s is a rare but devastating disease, affecting around five to ten people in 100,000 in Western countries. That means thousands in Australia and hundreds of thousands worldwide.

Symptoms usually start in mid-life. They include involuntary movements, depression, irritability and progressive decline in thinking and memory. People lose the ability to work, manage money, live independently and eventually care for themselves. Most die ten to 20 years after onset.

The disease is caused by an expanded stretch of certain DNA repeats (CAG) in the huntingtin gene. The number of repeats strongly influences when symptoms begin, with longer expansions usually linked to earlier onset.

Looking for a treatment

The gene that causes Huntington’s disease was identified in 1993, 32 years ago. Soon afterwards, mouse studies showed that switching off the mutant huntingtin protein even after symptoms had begun could reverse signs and improve behaviour.

This suggested lowering the toxic protein might slow or even partly reverse the disease. Yet for three decades, every attempt to develop a therapy for people has failed to show convincing clinical benefit. Trials of huntingtin-lowering drugs and other approaches did not slow progression.

What is the new treatment?

The one-time gene therapy, called AMT-130, involves brain surgery guided by MRI. Surgeons infuse an engineered virus directly into the caudate and putamen brain regions, which are heavily affected in Huntington’s.

The virus carries a short genetic “microRNA” designed to reduce production of the affected huntingtin protein.

By delivering it straight into the brain, the treatment bypasses the blood–brain barrier. This natural wall usually prevents medicines from entering the central nervous system. That barrier helps explain why so many brain-targeted drugs have failed.

What did they find?

Some 29 patients received treatment, with 12 in each group (one low-dose, and one high-dose) followed for three years. According to uniQure, those given the higher dose declined much slower than expected.

The study compared how much participants’ movement, thinking and daily function declined, compared to a matched external group from a global Huntington’s registry (meaning they weren’t part of the study). The company claimed those given the higher dose had a 75% slowing in their decline.

On a functional scale focused on independence, the company reported a 60% slowing in decline for the higher dose group.

Other tests of movement and thinking also favoured treatment. Nerve-cell damage in spinal fluid was lower for study participants than would be expected for untreated patients.

Why should we be cautious?

These findings are an early snapshot of results reported by the company, not yet peer-reviewed. The study compared treated patients to an external matched control group, not people randomised to placebo at the same time. This design can introduce bias. The numbers are also small – only 12 patients at the three-year mark – so we can’t draw solid conclusions.

The company reports the therapy was generally well tolerated, with no new serious adverse events related to the drug since late 2022. Most problems were related to the neurosurgical infusion itself, and resolved. But in a disease that already causes such severe symptoms, it is often hard to know what counts as a side effect.

The company uniQure has said it plans to seek regulatory approval in 2026 on the basis of this dataset.

Regulators will face difficult decisions: whether to allow access sooner before all the questions and uncertainties are addressed – based on the needs of a community with no effective options – and wait for further data while people are being treated, or to insist on larger trials that confirm results before approval.

What does it mean?

If upheld, these results represent the first convincing signs that a gene-targeted therapy can slow Huntington’s disease. They may also be the first evidence of benefit from a gene therapy in any adult-onset neurodegenerative disorder. That would be a milestone after decades of failure.

But these results do not prove success. Only larger, longer and fully peer-reviewed studies will show whether this treatment truly changes lives. Even if approved, a complex neurosurgical gene therapy may not be easily accessible to all patients.

The company has said the drug’s price would be similar to other gene therapies – which can cost over A$3 million per patient – and will have the added cost of brain surgery.

The takeaway

For families who carry this gene, the hope is profound. But caution is just as important.

We may be witnessing the first credible step toward slowing an inherited adult-onset neurodegenerative disease, or just an early signal that may not hold up.

Ultimately, only time and rigorous science will show whether this treatment delivers the benefits so urgently needed.

READ ORIGINAL STORY HERE

Saturday, January 22, 2022

Sundance Review: Descendant Follows A Community’s Search For Truth And Reconciliation




BY JORDAN RAUP
THE FILM STAGE

Over half a century after international slave trade was abolished in the United States, Timothy Meaher made a bet that he could transport a ship of captives from Africa to the Alabama coast. As owner of the ship The Clotilda, following the 1860 voyage which brought 110 people from West Africa to Mobile, Meaher covered up his crimes (which could have brought him to death) by burning and sinking the vessel. More than 150 years later, Mobile’s Africatown community––made up of direct descendants whose ancestors were ripped away from their lives of freedom––are searching for truth and closure as the remnants of the slave ship remained a buried mystery. As captured in Margaret Brown’s intimate, powerful documentary Descendant, the quest for answers and the story of how this overlooked community has been marginalized throughout history has ripples far beyond a sunken ship.

First meeting some of the Africatown community when filming her 2008 documentary The Order of Myths, Brown reunited in 2018 when reports of wreckage from The Clotilda had been uncovered, and a sense of close connection with her subjects swells throughout Descendant. A vital tale about the importance of passing down generational history, we hear about the familial grapevine of sharing the direct experience from the ship’s last known survivor Cudjoe Lewis. Miraculously captured in footage and writings by anthropologist Zora Neale Hurston––said to be the first Black female filmmaker–– in 1931, four years before his death, her book of his story Barracoon: The Story of the Last Black Cargo was finally published in 2018, leading to renewed interest in uncovering the truth. For these present-day residents, they’ve lived with this history for so long and the lack of tangible veracity has been a heavy burden. To be able to prove to the rest of the world that this crime against humanity occurred would be a life-altering reconciliation.

Brown exhibits profound complexity in this portrait of a community, interviewing some who believe the discovery of this slave ship may just lead to the town being another tourist stop, resulting in history repeating itself as a boom in the economy would just line the pockets of the upper-class white residents further. “I don’t want to be part of it. I want to be it,” one Africatown real estate agent says, then coming to an exasperated resolution that “I have no idea how to make that happen.” Descendant leaves proper space for these complicated questions about what true justice would even mean today and the frustrations of having little tangible way to seek proper closure. With no one to punish criminally since Meaher is long dead and gone, this community only has remnants of the past to grapple with. Visiting a “historic” plantation, Emmett Lewis (a direct descendant of Cudjoe Lewis) ponders how he’s now sitting in the chairs that his ancestors weren’t allowed to even though they lived in the house. Giving more spectrum to the story, Brown also interviews descendants of slave owners, as they tell stories of how their teaching of the confederacy was all about the heroics of the generals, not the slave trade, questioning in what other place would there be schools and monuments named after the losing side of the war.

By giving consideration to a variety of perspectives, including the horrific acts of environmental racism affecting this community, Descendent emerges as an immensely powerful study of defining what equality and reconciliation can even hope to look like for a people who have been repudiated for generations. While Brown shares glimmers of a more promising existence, she doesn’t diminish the difficult conversations that need to be had, including a striking passage in which both descendants of slaves and slave owners open up a dialogue for the first time. The blame, hurt, and misguided attempts at trying to find silver linings are present, but so are the first steps at potential healing.

With remarkably immediate cinematography and an intimate understanding of its subjects, Descendant becomes an essential ideal of how to tell a community’s story: not through distant talking heads, but capturing moving bodies through land and history, giving a voice to those that can often feel powerless. We’re seeing the unfiltered history told through the eyes of those experiencing it and the necessity to keep generational records by any means necessary so that the brutality of a painful past can lead to righting the wrongs still apparent in the present.

Descendant premiered at the 2022 Sundance Film Festival.

Saturday, March 24, 2012

Nigerian Jungle Blues: Trans Amadi Slaughter House

A young man carries an animal carcass through the Trans-Amadi Slaughter, the main abbatoir of Port Harcourt.


A butcher cuts up a cow carcass amidst a pool of blood and guts, at the Trans-Amadi Slaughter, the main abbatoir of Port Harcourt. At the slaughter, animals are killed in the open, their blood spilt into the waterways below and their skin is burned by the flames of old tires, which creates thick clouds of black smoke over the city. Fish had been the traditional source of protein in the Niger Delta, but as fish stocks have dwindled due to pollution from the oil industry and over fishing, meat is becoming more common. Date: June 20, 2006. Location: Port Harcourt. Image: Ed Kashi


Amidst the bones and smoke, a young girl sells drinks to the workers at the Trans-Amadi Slaughter, the main abbatoir of Port Harcourt. At the slaughter, animals are killed in the open, their blood spilt into the waterways below and their skin is burned by the flames of old tires, which creates thick clouds of black smoke over the city. Fish had been the traditional source of protein in the Niger Delta, but as fish stocks have dwindled due to pollution from the oil industry and over fishing, meat is becoming more common. Date: June 20, 2006. Location: Port Harcourt. Image: Ed Kashi

Friday, July 15, 2011

Documentary: Orphans and Vulnereable Children in Nigeria

Justice Development Peace Commission, JDPC, is actively involved in peacebuilding, early warning, early response and conflict mapping in this area because of tribal violence. Father John Attah is the coordinator of JDPC, he is wearing a white frock. Every three months they have events in the area of the communities involved, including the Agbaduma area, of Agatu local government. This month they are having a Peace rally with speakers being from the Methodist Church, the Catholic churches and the four chiefs of the involved tribes. One community, Ekaidar, was distroyed this past April by people from the Egba community because of misconceptions. Five people were killed. Father John with local villagers and police tour the damage. Police are also involved in the peace-building activities. Date: August 27, 2010. Location: Obagijir, Benue. Image: Karen Kasmauski for CRS


Akula Ajir, 10 years old is part of the OVC program in Makurdi district, Nigeria. His mother and father have died of AIDS. He lives with his mother's sisters, Rose Ahua and her husband Justin Ahua. They are both HIV positive and volunteers with the Makundi Diocese volunteer program . The Ahua have three children of their own, including an adult daughter who is married and has a three month child. Akula does jobs around the compound including the laundry. He baths his little brother, Tersoo and little sister, Mrumun. CRS pays for him to go to school as well as his health visits. He is frequently visited by the head nurse of local health clinic, Fidelia Nyior (she is wearing a blue dress) He also hangs out with his buddies, his peers for meetings and general support. Date: August 23, 2010. Location: Makurdi, Benue. Image: Karen Kasmauski for CRS.


Orphans & Vulnerable Children in Nigeria
Parish of SS Peter and Paul in the village of Aliade, Nigeria supports the OVC program along with CRS. One of the members is Magdalene Shemba. Her caregiver is her father, Mathew Shemba who is also PLHIV. She works with her sister, Jennifer,18, cooking dinner and cleaning. She also meet with her peer group young women who are OCV between the ages of 11-18. She is wearing green dress and then changes into a white shirt with black strips and a pink skirt.Date: August 24, 2010. Location: Aliade, Benue. Image: Karen Kasmauski for CRS.

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