Showing posts with label Black Township. Show all posts
Showing posts with label Black Township. Show all posts

Wednesday, June 14, 2023

Debunking Harmful Myths About Black Fatherhood


BY BLACK INFORMATION NETWORK

A prevailing stereotype about Black society is that most Black fathers aren’t there for their children. Despite plenty of data unraveling this falsehood, many Black fathers are still met with microaggressions and exaggerated praise for being present in their kids’ lives.

Luckily, there are people working every day to change how society looks at Black fathers. Before diving into their work, let’s check out the numbers that reflect the reality of Black fatherhood.

Statistics Debunk Common Misconceptions

The thought that most Black kids don’t have their fathers in their lives has been twisted by research. Government data, which found that 72% of Black children are born to unmarried mothers, tend to be the source of this idea. The issue is that this statistic doesn’t take into account several factors, as pointed out by The Chicago Reporter in 2019:

“Many fatherlessness statistics utilize marital and housing statuses as cornerstone metrics, resulting in highly inflated figures. These stats do not account for the fact that men have died or passed away, couples may live together while unmarried, couples may be divorced, and, let’s not forget, that, due to the system of incarceration, men are not only separated from their families but often even prevented from staying in the homes with their families if the housing is federally provided.”

Just a few years after that 72% statistic made its debut, the National Center for Health Statistics released a 2013 study revealing that most Black fathers live with their children compared to their white counterparts. The research also shows that Black dads tend to be more involved with their children’s lives, as well:Children under the age of 5: Black fathers prepared and/or ate meals more with their children compared to their white counterparts.

Children between 5 and 18: Black fathers took children to and from activities daily more than their white counterparts. They also helped their kids with homework more compared to white dads.

Black Dads Are Changing The Narrative

According to experts and advocates, one way to dismantle harmful stereotypes about Black fatherhood is to share more positive stories. Over the last few years, organizations and support groups have been popping up with the goal of rewriting the narrative about Black fatherhood.

One such example is The Dad Gang, which originally started with Sean Williams, a father of three, posting Instagram photos with his kids, according to The Washington Post. Eventually, he started highlighting more Black fathers he knew on his page. Williams later opened up the submissions to dads outside of his friend circle, and before he knew it, the page amassed over 86,000 followers. The Dad Gang is a community where Black fathers can connect, share their experiences, and help each other while tearing down the horrendous myths about them.

“For too many years, it’s been projected that all black fathers are not in their children’s lives,” Kevin Riley, a father of two and member of The Dad Gang, told reporters. “The Dad Gang has become more than a platform; it’s a support group.”

Then there’s the Baltimore-based Dads United Organization, which has gotten news coverage from the local level all the way to ABC News. Founded in 2015 by Michael Cornish, he says the purpose of the organization is to “educate, advocate, elevate and develop a strong community of Black fathers that are engaged in their neighborhoods by creating safe spaces for healing and bonding.”

While there is still much work to be done, Black fathers and other advocates are making moves to change how Black fathers are viewed in society.

READ ORIGINAL ARTICLE HERE

Teaching Black History Is About Exploring Black Humanity, Culture & Traditions, UB Education Expert Says


While lawmakers across the country take aim at how Black history is taught in schools – from dictating language (like avoiding words such as “diversity”) and banning books – educators are walking a tightrope trying to stay on top of it all, while still giving their students a complete picture of American and Black histories.

Black history is not just simply about racial history, says LaGarrett King, Ph.D., founder and director of the Center for K-12 Black History and Racial Literacy Education in the University at Buffalo’s Graduate School of Education. Black history and racial history are linked, salient concepts of Black history emerge through racial history. But, King said, “Black history is more than that. It is about exploring Black humanity, culture and traditions.”

A recent EdWeek Research Center survey reveals that a slight majority of educators are committed to finding ways to teach Black history, regardless of their state’s mandates and other obstacles. Still, teachers cited time constraints and lack of state requirements as challenges to teaching Black history. The political climate doesn’t help, either. King said that issues are limited when it comes to teaching Black history.

“Those topics usually center on slavery, reconstruction, and the civil rights movement,” he said.

State Mandates Lack Substance

According to King, there are currently only 12 states that have Black history mandates. Perhaps more surprising than this number is the weakness of their implementation.

“We have found that many of the mandates are superficial with no authority or accountability,” King explained.

So, what can be done to offset the anti-Black history rhetoric and loose implementation of mandates? This is where the Center for K-12 Black History and Racial Literacy Education plays a crucial and proactive role. The center hosts an annual Teaching Black History conference, which convenes hundreds of teachers from across the country to learn about best curricular and instructional practices surrounding Black history education.

"We host expert speakers and entertainment, but the stars of the conference are our teachers," King said. The 2023 conference takes place July 19-20 at UB. The theme is, “The Sounds of Blackness, Hip Hop Turns 50.”

The center is also working to create a microcredential in teaching Black history.

“The most important person in this endeavor is the teacher,” King said. “Most of these states do not provide education around Black history education. The microcredential is supposed to fill that void.”

‘It’s OK to Not See the US as Perfect’

King’s mission is to advocate for Black history and racial literacy education. The center seeks to help teachers and other educational entities expand opportunities to learn about crucial concepts related to Black history and race – concepts lawmakers are fiercely trying to suppress.

“When you truly teach through Black history or expose how systemic racism has influenced a racialized community, that narrative becomes messy. We are a historically immature society and seemingly cannot handle complexity and nuance,” King said. “We should be able to understand that everything is not Black and white. There is a lot of gray, and it is OK to not see the U.S. as perfect. I think students will appreciate that more.”

King said students are more intelligent than certain lawmakers think they are.

“My children have picked up on many complex things happening in the world, including racism and injustice,” he said.

The way King sees it, power and control are what’s really driving these new (and ongoing) attempts to limit exposure to a Black history education.

“It is about attempting to control students' thinking and their exposure. By doing that, we are putting all our children at a disadvantage, and we continue to hurt our so-called democracy,” King said. “We should not think about the curriculum as just a curriculum – we should be thinking of it in terms of a citizenship education.”

King added, “We do not live in a monocultural or monolingual world, so these children who will become decision-makers in the near future need to understand a society that not only includes persons that look like them. If we can teach about all folks, our country will become a better place.”

READ ORIGINAL STORY HERE

Wednesday, March 15, 2023

Award-Winning South African Jazz Singer Gloria Bosman Dies

Jazz singer and writer, Gloria Bosman performs at the 22nd Joy of Jazz Festival in Johannesburg on Sept. 26, 2019. Smooth-voiced South African jazz musician Gloria Bosman has been lauded for her contribution to the country’s music industry in a career spanning more than two decades. Bosman died on Tuesday March 14, 2023 following a short illness, her family announced. (AP Photo)

BY MOGOMOTSI MAGOME

JOHANNESBURG (AP)
— Smooth-voiced South African jazz musician Gloria Bosman has been lauded for her contribution to the country’s music industry in a career spanning more than two decades.

Bosman died on Tuesday following a short illness, her family announced.

“After a short illness, she transcended peacefully at her home, surrounded by family,” the family said in a statement. “Gloria had devoted her life, not just to her family, but to her music, she was loved and adored by many here in South Africa and beyond its borders.”

The Soweto-born Bosman was praised for her soothing, silky vocals and versatility in crossing over to various music genres.

South Africa’s ruling African National Congress party paid tribute to Bosman, saying the country’s music industry will be poorer without her.

“Gloria Bosman belongs to a generation of female musical greats who refused to submit to patriarchal stereotypes in a male dominated industry. She was a fiery and militant revolutionary in the creative sector,” the ANC said in a statement.


South African jazz legend Sipho “Hotstix” Mabuse was among the first to express sadness at her passing, tweeting that he was “sad, gutted and shattered.”

Bosman started singing in church and theaters, but a scholarship to study opera at the then-Pretoria Technikon (now Tshwane University of Technology) was crucial in her development as an artist.

She returned to perform at the educational institution later in her career.

The award-winning musician’s first album “Tranquility” was released in 1999 to critical acclaim, winning her the Best Newcomer award at the South African Music Awards.

Her career took off and later she won a second Sama awards and 11 nominations, won two Africa-wide Kora awards and performed on many stages across the world.

Bosman performed and recorded with some of South Africa’s prominent musicians including the late Hugh Masekela, Sibongile Khumalo and Moses Molelekwa, as well as Zimbabwe’s Oliver Mutukudzi.

In December last year she was appointed to the board of the South African Music Rights Organization, a body set up to protect the intellectual property of music creators by collecting licensing fees and distributing royalties.

“As a composer and a performing artist, in the short period that Ms. Bosman was a member of the board, she added a perspective that comprised of a rich blend of insights on member aspirations as well as the direction that our organization should continue to march towards,” said Samro board chairman Nicholas Maweni.

Details for her memorial services and funeral have not been announced.

Friday, March 10, 2023

Book Review: How Nature Can Help Cities Survive


Ben Wilson’s “Urban Jungle” is a nuanced history of urban ecology, and its vital role in the climate-change era.

BY RICHARD SCHIFFMANN

CITIES ARE AT WAR with the natural world. To build them, forests are razed, streams get buried underground, wetlands are filled in, and wildlife gets exiled to the suburbs and beyond. Worst of all, Ben Wilson reports in “Urban Jungle: The History and Future of Nature in the City,” the residents of cities are outsized consumers of the Earth’s resources, responsible for three quarters of global carbon emissions, and requiring ever vaster tracts of agricultural land to be cleared to satisfy their appetites for meat and out-of-season fruits and vegetables.

In the pre-urban past, our relationship with nature was far more intimate and reciprocal, the author reminds readers: For millennia, people consumed plants and animals, but also fertilized agricultural fields with their bodily wastes. We took only what we needed, reused and recycled rare resources, and managed wild areas for the benefit of both nature and ourselves.

Urbanization changed all that. Modern cities, Wilson tells us in this sweeping history, are unsustainable and rapidly metastasizing across the planet. “Every day an area of land the size of Manhattan gets urbanized,” he writes. In 2010, around half of all humans lived in cities; by mid-century that number will have soared to between about 65 and 75 percent.

Given this explosive growth, one might expect another apocalyptic environment book foretelling the end of nature and naming cities as the culprit. What Wilson, a British historian and the author of five books, offers instead is more nuanced, and even guardedly optimistic. Urban areas are “ecosystems deserving of our protection and nurture,’’ he writes. “Cities should be the conservation sites of the 21st century.”

The author is hopeful because many cities are rethinking the urban enterprise in light of climate change. Faced with the prospect of coastal flooding, deadly heat waves, regional droughts, and wildfires raging at urban edges, planners are looking to nature itself for ways to cushion the blows and keep cities livable. Skyscrapers in Singapore are being draped in high-tech gardens; abandoned factories in Newark are becoming hydroponic farms; old industrial sites in Berlin are being transformed into inner-city nature parks; and engineers in Copenhagen are replacing hard street surfaces with green spaces to better manage stormwater.

Urban areas, we learn, only gradually became divorced from the natural world. In the distant past, city dwellers kept small farms and garden plots. They produced much of their own food, and they met most of their modest energy needs from the forests and rivers that existed at the edge of town.

“Cities should be the conservation sites of the 21st century.”

As metropolises swelled, however, their citizens longed for the solace of the pastoral environments that their ancestors once enjoyed. Ancient rulers built sylvan enclaves like the terrace gardens of Babylon and the pleasure gardens of the emperor Nero in Rome — distant forerunners of the modern city park. Urban garden-parks of the 18th and 19th centuries, Wilson writes, were efforts to prettify and impose an artificial order on the chaos of raw nature, which city planners hoped would then translate to “improved behavior” among the lower classes.

More recently, many city parks have evolved from places for recreation to dynamic ecosystems for the preservation of nature. Our esthetic judgments have also changed. “In an era of human-made environmental degradation,” Wilson observes, “we see beauty in wildness and spontaneity that would have been inconceivable to our recent forebears.”

At the same time, he acknowledges that degradation: “For a long time we have been used to the idea that hard engineering can solve our problems. The lesson of climate change is that our urban way of life is tied up with nature.”

At the core of Wilson’s book is his contention, supported by ecologists, that inviting nature back into our urban areas can help to clean polluted air and water, cool cities during ever-hotter summers, and provide natural barriers to flooding and rising sea levels.

Cities are also increasingly preserving wild spaces along their edges. Critical in an era of climate change are the efforts to restore salt marshes (along New York City’s coastline) and mangrove forests (in Singapore and Mumbai), which function as buffers against sea-level rise and destructive storm surges that threaten coastal cities. Beijing is engaged in a huge “green necklace” reforestation program on its borders to protect against desiccating Siberian winds and sandstorms. Madrid is planning a 47-mile forest belt.

Wilson’s style is highly readable and journalistic as he moves adroitly between the past, present, and future. And while he focuses on the good news, he does not ignore the bad. Jakarta is sinking into its own depleted aquifer, for example, while Mumbai is destroying the mangrove forests that buffer it against the sea. Meanwhile, the greening of wealthy cities has not been matched in the overcrowded slums of the developing world. “Many megacities — particularly those lacking stable government — are becoming hazardous places,” he writes, lacking trees, becoming unbearably hot in summer, and increasingly vulnerable to flooding.

But Wilson delights in puncturing the image of urban biological deserts. Consider Los Angeles — once a virtual moonscape devoid of trees. The creativity of homeowner gardens, combined with water from the Owens River and Colorado River, has made it, in Wilson’s words, “an urban biome created by generations of residents” containing seven times more species than the sparse desert on its fringes. There are also plans to transform the Los Angeles River — currently a trickle of “sludge entombed in its concrete coffin” — into a parkland with native trees and grasses.

Meanwhile, cities like New York are creating novel microhabitats: backyards, empty lots, bridges, and even highway meridians, each with assemblages of species that contribute to a surprising urban biodiversity, the author tell us, which is often far more varied than the wild surrounding lands. And larger wild creatures are returning as well: otters to Singapore, wild boar to Berlin, koalas to Brisbane, lion tamarins to Brazilian cities, and coyotes and peregrine falcons throughout North America.

“The lesson of climate change is that our urban way of life is tied up with nature.”

Wilson also cites multiple scientific studies showing how urban environments are forcing rapid evolutionary change: Citified foxes are developing shorter, wider snouts that are better at sniffing out rotting street food, city birds of many species are becoming bolder and more exploratory, and the brains of small mammals are becoming larger to cope with the greater cognitive demands that cities make.

At times, Wilson’s optimistic assertion that “metropolises could well be where we conserve a significant chunk of biodiversity,” begins to feel a bit too rosy. He acknowledges as much toward the end: “It is not enough to plant thousands of trees, establish roof gardens, clean up rivers and wild green spaces; all of this is futile if it merely conceals a ruthless assault on nature elsewhere.”

But he leaves us with another hopeful example — that of Amsterdam, which aspires to perform “at least as well as a healthy local ecosystem.” The Dutch capital recently announced plans to become virtually car free, and to halve its consumption of consumables by 2030, through a campaign of reuse, repair, and recycling, as well as produce its own power with renewable solar and wind energy.

“Cities can be agents of change when it comes to achieving more sustainable lifestyles,” Wilson concludes. “They are where innovation has happened throughout history. We have a sliver of reason to be optimistic.”

Richard Schiffman is an environmental reporter and author based in New York City. His work has appeared in The New York Times, The Atlantic and National Geographic, among other outlets.

Los Angeles River Map Plan. Image: Los Angeles Times

READ ORIGINAL ARTICLE HERE

Wednesday, August 11, 2010

4th Annual Leimert Park Village Book Fair Kids Corner





















Recently, the 4th Annual Leimert Park Village Book Fair was held in Leimert Park Village, Los Angeles, with an amazing crowd. Kudos to Nina Womack, one of the event's organizers, who supervised and conducted the children's aisle. It was all fun and games featuring fiction, non-fiction, poetry and children's literature by over a hundred and fifty African American writers. Also included were live perormances by various artists. Among them: A Jimi Hendrix Tribute Band led by Anthony Aquarius Mystery, Wadada and Kelly Love Jones.

Thursday, August 05, 2010

Summer Jam Afternoon Jump In 'Black Township'

Michael Sessions and trombonist Carl do their thing on the playgrounds as visitors and tourists watch.


Ray Straughter of Cosmic View rehearses at the World Stage Performance Art Gallery for the upcoming opening for the Michael McDonal's Hollywood Bowl Concert.


Folks in the village playing chess and the knockout game.


Dancing to the Najite Agindotan led Drum Church Circle beat, like in a spiritual revival.


The Learning Academy...Kids learn the art trade as part of 'incubating' the village.


Multi-instrumentalist, Wadada sets up his promotional CD and rehearses for the Labor Day Weekend jam.


The game begins -- the Drum Church Circle beats -- and Najite leads.



Tourist possessed by the powerful spirits of the Drum Church Circle beats.

Monday, July 12, 2010

Images of the 7th Annual June'Teenth Heritage Festival: Celebrating Black Freedom

June'Teenth is the oldest nationally celebrated commemoration of the ending of slavery in the United States. On June 19, 1865, two months more than President Abraham Lincoln's Emancipation Proclamation, General Granger of the Union Army landed in Galveston, Texas, and issued Order No.3: All Slaves Are Free!


Ndugu, Wadada and Kelly Love Jones performs at the back lot of The Vision Theater in Leimert Park Village.


Anthony Aquarius Mystery and the Jimi Hendrix Tribute Band performs live on stage as part of festivities celebrating the 7th Annual June'Teenth Heritage Festival.


The groove and the jam sessions.


The twist dance at the exclusive Barbara Morrison's Show.


Anthony Aquarius Mystery of A Jimi Hendrix Tribute Band and Cynthia Exum, the executive producer of the Leimert Park Village Book Fair share a moment...


The audience watches A Jimi Hendrix Tribute Band perform live on stage.


Vendors make brisk business hawking Los Angeles Dynasty t shirts.


Leon Mobley and Wadada entertains at the back lot of The Vision Theater.


Oran Z, founder of The Oran Z Pan African Black Facts and Wax Museum, which presents wax figures of African American personalities chats with a guest at his museum booth during the festival.


Afro Cuban Jazz Ensemble entertaning at the jam-packed Leimert Park.

Saturday, May 15, 2010

Rapper Yo-Yo and the Million Marijuana March

Rapper Yo-Yo being interviewed by one of the leading advocates for marijuana.


Rapper Yo-Yo signs autographs as the event unfolds.


Yo-Yo and a cast of marijuana advocates poses for the camera.


Anambra State-Nigeria-born Chi Chi performing one of her favorite tunes "Chukwu Nyere Anyi Aka" to wrap up the event.


An advocate wearing the Home Grown T-shirt and a performer on stage.


Kelly Love Jones holds her baby while entertaining the crowd as the cameraman takes his shots aground the stage.


Los Angeles, CA -- Saturday, May 08, 2010: It wasn't like the 2010 Playboy Jazz Festival Community Event Series I had attended a week earlier at the Beverly Hills Civic Center Plaza, on Rexford Drive and Santa Monica Boulevard, which featured the Grammy-award winning pianist Ben Cunliffe and his Septet, or the swinging big band vibes of Johnny Crawford and his Orchestra, courtesy of Resonance Records.

It was the "Million Marijuana March" held on the grounds of the historical Leimert Park with an amazing crowd. Female rapper and hip-hop artist, Yo-Yo was around. Born Yolanda Whittaker, who back in the early 1990s exploded in Ice Cube's single "Amerikkka's Most Wanted" and a year later with her own debut album "Make Way For The Motherlobe" and the smash hit single "you Can't Play With My Yo-Yo?" featuring Cube, was obviously the center of attraction in an event of its own kind.

Chants of legalizing marijuana was in the air as in Peter Tosh' "Legalize It":

Legalize it; don't criticize it
legalize it, yeah, yeah
and I will advertize it

Some call it tampee
some call the weed
some call it marijuana
some of them call it ganja

it's good for the flu
it's good for asthma
it's good for tuberculosis
even umara composis;


And the music, too, was loud with a legendary Bob Marley's vibe:

One love! One heart
Let's get together and feel alright
Hear the children crying' (one love)
Hear the children crying' (one heart)
Saying give thanks and praise to the Lord
And I will feel alright
Saying let's get together and feel alright
Wo wo-wo wo-wo

Let them all pass their dirty remarks (One love)
There is one question I'd really love to ask (One Heart)
Is there a place for the hopeless sinner
Who hurt mankind just to save his own beliefs
One love! what about one heart? (one heart)
What about - ? let's get together and feel alright
As it was in the beginning (one love)
So shall it be in the end (one heart)...


Nevertheless, what mattered was the stuff that Rapper Yo-Yo does -- giving back to the community where she was raised with her youth foundation, "Let Your Light Shine Youth Foundation" along with Lana Moore. And my credo on that, is, by her foundation mentoring, educating and engaging in all kinds of social programs by way of providing positive influences to the youths of today.

Yo-Yo has worked alongside producers and artists in the likes of Missy Elliot, Keri Hilson, DJ Quik, Ceelo, DJ Toomp, Eric Sermon, The Lab Rats, Raheem Davon, among others. Also, her acting career sprang from the 1991 film "Boyz N The Hood" to "Menace II Society," etc.

So you go girl! It was all good!

KNOCK, KNOCK

By issuing subpoenas to five Times journalists, the Trump administration reveals its first response to unwanted national security coverage: ...