PODGORICA, MONTENEGRO. (ASSOCIATED PRESS) — Look up at the wall and you can see Yugoslavia's late autocratic leader Josip Broz Tito drowning in red fiery waves of hell — along with Karl Marx and Friedrich Engels, authors of the 1848 Communist Manifesto.
It's fair to say the new brightly-colored fresco in the Serbian Orthodox Church of Christ's Resurrection in Montenegro's capital of Podgorica has triggered much attention and controversy. The Serbian Orthodox Church in Montenegro, the tiny Adriatic Sea nation of 600,000 people, has often been involved in politics, especially when Montenegro split from much larger Serbia in 2006. The church's hardline leader in Montenegro, Bishop Amfilohije Radovic, has often bitterly criticized the country's pro-independence leadership and is not shy in openly denouncing Islam and Catholicism.
Church leaders have already been criticized for the high costs of the vast church's lavish design. Branko Vujacic, a 36-year-old priest serving in the church, noted that the church has seen an increased number of visitors since the fresco was finished last October.
"I don't see anything terrible in the symbolism of this fresco," Vujacic told The Associated Press. "To be honest, I am not one of those who see Marx and Tito on it and I don't even remember how Marx looked like," he added. "But I know that the fresco depicts the spirit of the time when the battle against God was fought."
Unlike Vujacic, high-ranking Orthodox priest Velibor Dzomic clearly recognizes the personalities in the fresco. "Yes, I see them all," Dzomic told the AP. "I see Tito, Marx, Engels and other enemies of Christ on that fresco. Everyone has the right to his own interpretation — some see them, some don't."
"Art is a miracle," he added. The fresco has triggered controversy not only among the priests but also among believers, many of whom used to be passionate communists during Tito's 1945-1980 autocratic rule. Montenegro was one of the six Yugoslav socialist republics that abolished communism in 1991.
"I don't know what to say about the fresco," said Zoran Savovic, a construction worker from Podgorica who described himself "a bigger Christian than a communist." "Tito's time was a golden age for poor people and workers and it will never come back again," Savovic said as he was leaving the church. "Personally, I would like to see the return of Tito's era."
AP Writer Dusan Stojanovic contributed from Belgrade, Serbia.